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Cream Wove Paper Collection

Background imageCream Wove Paper Collection: Genets Joseph Wolf 1820-1899 German Watercolor

Genets Joseph Wolf 1820-1899 German Watercolor
Genets, Joseph Wolf, 1820-1899, German, undated, Watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 3 5/8 4 5/8 inches (9.2 11.7 cm), animal art

Background imageCream Wove Paper Collection: Harrier William Webb Ca 1780-1845 British Graphite

Harrier William Webb Ca 1780-1845 British Graphite
A Harrier, William Webb, ca

Background imageCream Wove Paper Collection: Rolls Chapel Samuel Ireland Active 1760-died 1800

Rolls Chapel Samuel Ireland Active 1760-died 1800
Rolls Chapel, Samuel Ireland, active 1760-died 1800, British, 1800, Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper

Background imageCream Wove Paper Collection: New Inn Samuel Ireland Active 1760-died 1800

New Inn Samuel Ireland Active 1760-died 1800
New Inn, Samuel Ireland, active 1760-died 1800, British, between 1794 and 1800, Watercolor, graphite, and pen and black ink on medium, slightly textured, cream wove paper

Background imageCream Wove Paper Collection: Garden Front Stationer's Hall Samuel Ireland

Garden Front Stationer's Hall Samuel Ireland
Garden Front of Stationer's Hall, Samuel Ireland, active 1760-died 1800, British, between 1794 and 1800, Watercolor, graphite, and pen and black ink on medium, slightly textured

Background imageCream Wove Paper Collection: Lincoln's Inn Gate Samuel Ireland Active 1760-died 1800

Lincoln's Inn Gate Samuel Ireland Active 1760-died 1800
Lincoln's Inn Gate, Samuel Ireland, active 1760-died 1800, British, 1800, Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper

Background imageCream Wove Paper Collection: Damnation Obadiah Print Henry William Bunbury

Damnation Obadiah Print Henry William Bunbury
The Damnation of Obadiah, Print made by Henry William Bunbury, 1750-1811, British, between 1773 and 1817, Hand-colored etching on moderately thick, slightly textured, cream wove paper

Background imageCream Wove Paper Collection: Queen Victoria George Baxter 1804-1867 British

Queen Victoria George Baxter 1804-1867 British
Queen Victoria, after George Baxter, 1804-1867, British, Print made by Bradshaw & Blacklock, active ca.1850, British, Published by Bradshaw & Blacklock, active ca.1850, British, ca

Background imageCream Wove Paper Collection: First Book Urizen Plate 2 Preludium Book Bentley 2a

First Book Urizen Plate 2 Preludium Book Bentley 2a
The First Book of Urizen, Plate 2, Preludium to the Book of Urizen (Bentley 2a), Print made by William Blake, 1757-1827, British, 1794

Background imageCream Wove Paper Collection: Castle Fraser Aberdeenshire Scotland West Elevation

Castle Fraser Aberdeenshire Scotland West Elevation
Castle Fraser, Aberdeenshire, Scotland: West Elevation, William Wilkins, 1778-1839, British, 1819, Graphite, pen and black and brown ink, watercolor on slightly textured, moderately thick

Background imageCream Wove Paper Collection: Design Gothic Chapel Studio Sir Jeffry Wyatville

Design Gothic Chapel Studio Sir Jeffry Wyatville
Design for a Gothic Chapel, Studio of Sir Jeffry Wyatville, 1766-1840, British, undated, Graphite, pen and black ink, watercolor on slightly textured, moderately thick, cream wove paper

Background imageCream Wove Paper Collection: Roses Hercules Brabazon Brabazon 1821-1906

Roses Hercules Brabazon Brabazon 1821-1906
Roses, Hercules Brabazon Brabazon, 1821-1906, British, undated, Watercolor and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 7 7/8 x 6 1/4 inches (20 x 15.8 cm)

Background imageCream Wove Paper Collection: America. Prophecy Plate 2 Title Page Print William Blake

America. Prophecy Plate 2 Title Page Print William Blake
America. A Prophecy, Plate 2, Title Page, Print made by William Blake, 1757-1827, British, 1793, Color-printed relief etching in blue with pen and black ink and watercolor on moderately thick

Background imageCream Wove Paper Collection: Sensibility Print Richard Earlom 1743-1822

Sensibility Print Richard Earlom 1743-1822
Sensibility, Print made by Richard Earlom, 1743-1822, British, after George Romney, 1734-1802, British, 1789

Background imageCream Wove Paper Collection: Songs Innocence Plate 2 Title Page Bentley 3

Songs Innocence Plate 2 Title Page Bentley 3
Songs of Innocence, Plate 2, Title Page (Bentley 3), Print made by William Blake, 1757-1827, British, 1789, Relief etching printed in brown with watercolor on moderately thick, slightly textured

Background imageCream Wove Paper Collection: Mountain Landscape Lake Joseph Mallord William Turner

Mountain Landscape Lake Joseph Mallord William Turner
Mountain Landscape with Lake, Joseph Mallord William Turner, 1775-1851, British, ca

Background imageCream Wove Paper Collection: Poems Thomas Gray Design 93 Ode Music William Blake

Poems Thomas Gray Design 93 Ode Music William Blake
The Poems of Thomas Gray, Design 93, Ode for Music

Background imageCream Wove Paper Collection: Church St. Laurent Rouen John Skinner Prout 1806-1876

Church St. Laurent Rouen John Skinner Prout 1806-1876
The Church of St

Background imageCream Wove Paper Collection: Poems Thomas Gray Design 87 Triumphs Owen William Blake

Poems Thomas Gray Design 87 Triumphs Owen William Blake
The Poems of Thomas Gray, Design 87, The Triumphs of Owen

Background imageCream Wove Paper Collection: Plains Bengal Siligoree Edward Lear 1812-1888

Plains Bengal Siligoree Edward Lear 1812-1888
Plains of Bengal, from above Siligoree, Edward Lear, 1812-1888, British, 1874, Watercolor, pen and brown ink, and gouache on moderately thick, moderately textured, cream wove paper

Background imageCream Wove Paper Collection: Title Page Illustrations Book Job Circle John Linnell

Title Page Illustrations Book Job Circle John Linnell
Title Page: Illustrations of the Book of Job, circle of John Linnell, 1792-1882, British, after William Blake, 1757-1827, British, after 1825, Watercolor and black ink on moderately thick

Background imageCream Wove Paper Collection: Jerusalem Plate 35 Then Divine Hand... Print

Jerusalem Plate 35 Then Divine Hand... Print
Jerusalem, Plate 35, Then the Divine hand

Background imageCream Wove Paper Collection: Prince Albert George Baxter 1804-1867 British

Prince Albert George Baxter 1804-1867 British
Prince Albert, after George Baxter, 1804-1867, British, Print made by Bradshaw & Blacklock, active ca.1850, British, Published by Bradshaw & Blacklock, active ca.1850, British, after 1855, Aquatint

Background imageCream Wove Paper Collection: Hoatzin? Branch James Sowerby 1756-1822 British

Hoatzin? Branch James Sowerby 1756-1822 British
A Hoatzin on a Branch, James Sowerby, 1756-1822, British, undated, Watercolor over graphite on medium, smooth, cream wove paper, Sheet: 8 1/4 13 1/4 inches (21 33.7 cm), animal art, bird, branch

Background imageCream Wove Paper Collection: Parrot James De Carle Sowerby 1787-1871 British

Parrot James De Carle Sowerby 1787-1871 British
A Parrot, James de Carle Sowerby, 1787-1871, British, undated, Watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 9 7 1/4 inches (22.9 18.4 cm), animal art, branch, parrot

Background imageCream Wove Paper Collection: Cat Chickens Newton Limbird Smith Fielding 1799-1856

Cat Chickens Newton Limbird Smith Fielding 1799-1856
A Cat and Chickens, Newton Limbird Smith Fielding, 1799-1856, British, 1833, Watercolor, pen and brown ink over graphite with scratching out on medium, slightly textured, cream wove paper

Background imageCream Wove Paper Collection: Air Man July 10 1828 John Gantz 1772-1853 Pen

Air Man July 10 1828 John Gantz 1772-1853 Pen
Air Man, July 10, 1828, John Gantz, 1772-1853, 1828, Pen and black ink and watercolor on medium, moderately textured, cream wove paper

Background imageCream Wove Paper Collection: Tomb Three Children Sir Thomas Savage Isleworth Church

Tomb Three Children Sir Thomas Savage Isleworth Church
Tomb of the Three Children of Sir Thomas Savage from Isleworth Church, Attributed to Daniel Lysons, 1762-1834, British, between 1796 and 1811, Pen and black ink

Background imageCream Wove Paper Collection: Hermitage Castle Print Robert Wallis 1794-1878

Hermitage Castle Print Robert Wallis 1794-1878
Hermitage Castle, Print made by Robert Wallis, 1794-1878, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Line engraving on medium, slightly textured, cream wove paper

Background imageCream Wove Paper Collection: Goose James Sowerby 1756-1822 British Watercolor

Goose James Sowerby 1756-1822 British Watercolor
A Goose, James Sowerby, 1756-1822, British, undated, Watercolor and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 9 1/2 11 3/4 inches (24.1 29.8 cm), animal art, goose

Background imageCream Wove Paper Collection: European Goldfinch James Sowerby 1756-1822

European Goldfinch James Sowerby 1756-1822
A European Goldfinch, James Sowerby, 1756-1822, British, undated, Watercolor and graphite on medium, smooth, cream wove paper, Sheet: 11 8 1/4 inches (27.9 21 cm), animal art, bird, European Goldfinch

Background imageCream Wove Paper Collection: Snipe James Sowerby 1756-1822 British 1794

Snipe James Sowerby 1756-1822 British 1794
A Snipe, James Sowerby, 1756-1822, British, 1794, Watercolor and graphite on medium, smooth, cream wove paper, Sheet: 13 8 1/8 inches (33 20.6 cm), animal art, Snipes

Background imageCream Wove Paper Collection: Sun-Bear James Sowerby 1756-1822 British Watercolor

Sun-Bear James Sowerby 1756-1822 British Watercolor
A Sun-Bear, James Sowerby, 1756-1822, British, undated, Watercolor, gouache, and graphite with pen and black ink on medium, smooth, cream wove paper, Sheet: 6 1/2 6 inches (16.5 15.2 cm), animal art

Background imageCream Wove Paper Collection: Bird Paradise Verso Sketch Flower James Sowerby

Bird Paradise Verso Sketch Flower James Sowerby
Bird of Paradise and Verso: Sketch of a Flower, James Sowerby, 1756-1822, British, undated, Watercolor, graphite, and gouache on medium, slightly textured, cream wove paper

Background imageCream Wove Paper Collection: Hawk James Sowerby 1756-1822 British Watercolor

Hawk James Sowerby 1756-1822 British Watercolor
A Hawk, James Sowerby, 1756-1822, British, undated, Watercolor, gouache, and graphite on moderately think, moderately textured, cream wove paper, Sheet: 16 1/2 9 11/16 inches (41.9 24.6 cm)

Background imageCream Wove Paper Collection: Landscape Man Playing Pipe Under Old Tree Style

Landscape Man Playing Pipe Under Old Tree Style
Landscape with a man playing a pipe under an old tree, style of Paul Sandby RA, 1731-1809, British, undated, Watercolor, gouache, pen and black ink, graphite, black chalk on medium

Background imageCream Wove Paper Collection: Lion Thomas William Wood 1855-1872 British

Lion Thomas William Wood 1855-1872 British
A Lion, Thomas William Wood, 1855-1872, British, undated, Watercolor, graphite, and gouache on medium, slightly textured, cream wove paper, Sheet: 9 7/8 13 3/4 inches (25.1 34.9 cm), animal art

Background imageCream Wove Paper Collection: Old Buildings Hastings Henry Morton Ca 1807-1825

Old Buildings Hastings Henry Morton Ca 1807-1825
Old Buildings at Hastings, Henry Morton, ca

Background imageCream Wove Paper Collection: Dancer Alfred Edward Chalon 1780-1860 British

Dancer Alfred Edward Chalon 1780-1860 British
A Dancer, Alfred Edward Chalon, 1780-1860, British, ca

Background imageCream Wove Paper Collection: Two Huskies Samuel Howitt 1756-1822 British

Two Huskies Samuel Howitt 1756-1822 British
Two Huskies, Samuel Howitt, 1756-1822, British, ca

Background imageCream Wove Paper Collection: Abyssinian Dog Samuel Howitt 1756-1822 British

Abyssinian Dog Samuel Howitt 1756-1822 British
Abyssinian Dog, Samuel Howitt, 1756-1822, British, ca

Background imageCream Wove Paper Collection: Flying Squirrel Samuel Howitt 1756-1822 British

Flying Squirrel Samuel Howitt 1756-1822 British
Flying Squirrel, Samuel Howitt, 1756-1822, British, ca

Background imageCream Wove Paper Collection: Llama Samuel Howitt 1756-1822 British Watercolor

Llama Samuel Howitt 1756-1822 British Watercolor
Llama, Samuel Howitt, 1756-1822, British, undated, Watercolor, graphite and pen and black ink on medium, slightly textured, cream wove paper, Sheet: 7 3/4 5 1/2 inches (19.7 14 cm), animal art, llamas

Background imageCream Wove Paper Collection: Crane William Hayes Active 1775-1794 British

Crane William Hayes Active 1775-1794 British
A Crane, William Hayes, active 1775-1794, British, 1791, Watercolor, gouache, pen and black ink, and graphite on moderately thick, slightly textured, cream wove paper

Background imageCream Wove Paper Collection: Portrait Artist's Dromedary Elijah Walton 1832-1880

Portrait Artist's Dromedary Elijah Walton 1832-1880
Portrait of the Artist's Dromedary, Elijah Walton, 1832-1880, British, 1862, Watercolor, graphite, and pen and brown ink on moderately thick, slightly textured, cream wove paper

Background imageCream Wove Paper Collection: Stag Doe Fawns Samuel Howitt 1756-1822 British

Stag Doe Fawns Samuel Howitt 1756-1822 British
Stag, Doe and Fawns, Samuel Howitt, 1756-1822, British, undated, Watercolor and pen and black ink over graphite on moderately thick, moderately textured, cream wove paper

Background imageCream Wove Paper Collection: Two Hyenas Samuel Howitt 1756-1822 British

Two Hyenas Samuel Howitt 1756-1822 British
Two Hyenas, Samuel Howitt, 1756-1822, British, ca. 1817, Watercolor, pen and black ink and graphite on Medium, moderately textured, cream wove paper, Sheet: 7 9 5/8 inches (17.8 24.4 cm), animal art

Background imageCream Wove Paper Collection: Gun Dogs Samuel Howitt 1756-1822 British Pen

Gun Dogs Samuel Howitt 1756-1822 British Pen
Gun Dogs, Samuel Howitt, 1756-1822, British, undated, Pen and brown ink and brown wash over graphite on moderately thick, slightly textured, cream wove paper, Sheet: 4 1/8 6 inches (10.5 15.2 cm)

Background imageCream Wove Paper Collection: Hog Deer Samuel Howitt 1756-1822 British 1813

Hog Deer Samuel Howitt 1756-1822 British 1813
Hog Deer, Samuel Howitt, 1756-1822, British, after 1813, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 8 3/8 5 5/8 inches (21.3 14.3 cm), animal art, deer, palm trees

Background imageCream Wove Paper Collection: North American Lynx Samuel Howitt 1756-1822

North American Lynx Samuel Howitt 1756-1822
North American Lynx, Samuel Howitt, 1756-1822, British, ca

Background imageCream Wove Paper Collection: Black-backed Jackal Samuel Howitt 1756-1822

Black-backed Jackal Samuel Howitt 1756-1822
Black-backed Jackal, Samuel Howitt, 1756-1822, British, ca

Background imageCream Wove Paper Collection: Canada Lynx Life Samuel Howitt 1756-1822 British

Canada Lynx Life Samuel Howitt 1756-1822 British
The Canada Lynx from the Life, Samuel Howitt, 1756-1822, British, ca

Background imageCream Wove Paper Collection: Birds Paradise Thomas William Wood 1855-1872

Birds Paradise Thomas William Wood 1855-1872
Birds of Paradise, Thomas William Wood, 1855-1872, British, 1862, Watercolor on medium, slightly textured, cream wove paper, Sheet: 14 10 inches (35.6 25.4 cm), animal art, birds-of-paradise

Background imageCream Wove Paper Collection: Old Mill Battersea Formerly John Varley 1778-1842

Old Mill Battersea Formerly John Varley 1778-1842
Old Mill at Battersea, formerly John Varley, 1778-1842, British, unknown artist, undated, Watercolor and graphite on medium, slightly textured, cream wove paper

Background imageCream Wove Paper Collection: Coal Fish James Sowerby 1756-1822 British Watercolor

Coal Fish James Sowerby 1756-1822 British Watercolor
Coal Fish, James Sowerby, 1756-1822, British, undated, Watercolor with touches of white gouache on medium, slightly textured, cream wove paper, Sheet: 8 x 12 5/8in

Background imageCream Wove Paper Collection: Visions Daughters Albion Plate 2 Title Page William Blake

Visions Daughters Albion Plate 2 Title Page William Blake
Visions of the Daughters of Albion, Plate 2, Title Page, William Blake, 1757-1827, British, 1793, Relief etching printed in green with pen and black ink and watercolor on moderately thick

Background imageCream Wove Paper Collection: Young's Night Thoughts Page 17 Night Second Time

Young's Night Thoughts Page 17 Night Second Time
Young's Night Thoughts, Page 17, Night the Second, On Time, Death and Friendship. Print made by William Blake, 1757-1827, British, ca

Background imageCream Wove Paper Collection: Portrait Short Horned Bull Patriot Print William Ward

Portrait Short Horned Bull Patriot Print William Ward
Portrait of the Short Horned Bull Patriot, Print made by William Ward, 1766-1826, British, after Thomas Weaver, 1774-1843, British, 1810, Mezzotint with hand coloring on moderately thick

Background imageCream Wove Paper Collection: Castle Fraser Aberdeenshire Scotland East Elevation

Castle Fraser Aberdeenshire Scotland East Elevation
Castle Fraser, Aberdeenshire, Scotland: East Elevation, William Wilkins, 1778-1839, British, 1819, Graphite, pen and black and brown ink, watercolor on slightly textured, moderately thick

Background imageCream Wove Paper Collection: Cluny Castle Aberdeenshire Scotland Ground Floor Plan

Cluny Castle Aberdeenshire Scotland Ground Floor Plan
Cluny Castle, Aberdeenshire, Scotland: Ground Floor Plan with Proposed Alterations, William Wilkins, 1778-1839, British, ca

Background imageCream Wove Paper Collection: West India Docks Print John Bluck Active 1791-1831

West India Docks Print John Bluck Active 1791-1831
West India Docks, Print made by John Bluck, active 1791-1831, British, after Augustus Charles Pugin, 1762-1832, French, after Thomas Rowlandson, 1756-1827, British, Published by Rudolf Ackermann

Background imageCream Wove Paper Collection: Studies Geese James Ward 1769-1859 British

Studies Geese James Ward 1769-1859 British
Studies of Geese, James Ward, 1769-1859, British, undated, Watercolor, oil, and graphite with scratching out on medium, smooth, cream wove paper, Sheet: 10 3/4 x 17 7/8 inches (27.3 x 45.4 cm)

Background imageCream Wove Paper Collection: Songs Innocence Experience Plate 33 Experience Title Page

Songs Innocence Experience Plate 33 Experience Title Page
Songs of Innocence and of Experience, Plate 33, Experience Title Page (Bentley 29), Print made by William Blake, 1757-1827, British, 1794

Background imageCream Wove Paper Collection: Dover John Martin 1789-1854 British 1833 Watercolor

Dover John Martin 1789-1854 British 1833 Watercolor
Dover, John Martin, 1789-1854, British, 1833, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 7 3/4 x 10 1/4 inches (19.7 x 26 cm), cliffs, hills, landscape, sea

Background imageCream Wove Paper Collection: View London Birmingham Railway Primrose Hill

View London Birmingham Railway Primrose Hill
View on the London and Birmingham Railway, Primrose Hill, Chalk Farm, Showing the Travelling Post Office, W. S

Background imageCream Wove Paper Collection: Prince Albert 11 Coopers Row Crutched Friars

Prince Albert 11 Coopers Row Crutched Friars
The Prince Albert, 11 Coopers Row, Crutched Friars, and Cooper's Bonded Vaults and Tea Warehouses, Thomas Hosmer Shepherd, 1792-1864, British, ca

Background imageCream Wove Paper Collection: Sleeping Leopard Print George Stubbs 1724-1806

Sleeping Leopard Print George Stubbs 1724-1806
A Sleeping Leopard, Print made by George Stubbs, 1724-1806, British, 1791, Soft-ground etching with roulette on medium, slightly textured, cream wove paper

Background imageCream Wove Paper Collection: Balloon Ascent Greenwich Hospital Previously James Holland

Balloon Ascent Greenwich Hospital Previously James Holland
A Balloon Ascent near Greenwich Hospital, unknown artist, Previously James Holland, 1799-1870, British, ca

Background imageCream Wove Paper Collection: Carting Hops Studies Robert Hills 1769-1844

Carting Hops Studies Robert Hills 1769-1844
Carting Hops and Other Studies, Robert Hills, 1769-1844, British, undated, Watercolor and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 11 1/2 8 7/8 inches (29.2 22.5 cm)

Background imageCream Wove Paper Collection: Study Figural Sculpture Crouching Figure Henri Gaudier-Brzeska

Study Figural Sculpture Crouching Figure Henri Gaudier-Brzeska
Study for a Figural Sculpture, Crouching Figure, Henri Gaudier-Brzeska, 1891-1915, French, between 1910 and 1915, Brushed black ink, graphite and red pencil on thin, smooth, cream wove paper

Background imageCream Wove Paper Collection: Figure Study Relief Design Henri Gaudier-Brzeska

Figure Study Relief Design Henri Gaudier-Brzeska
Figure Study for a Relief Design, Henri Gaudier-Brzeska, 1891-1915, French, between 1910 and 1915, Pen and black ink on medium, smooth, cream wove paper, Sheet: 7 x 4 1/2 inches (17.8 x 11.5 cm)

Background imageCream Wove Paper Collection: Book Thel Plate 2 Title Page Print William Blake

Book Thel Plate 2 Title Page Print William Blake
The Book of Thel, Plate 2, Title Page, Print made by William Blake, 1757-1827, British, 1789, Relief etching printed in brown with pen and ink and watercolor on moderately thick, slightly textured

Background imageCream Wove Paper Collection: Standing Female Figure Henri Gaudier-Brzeska

Standing Female Figure Henri Gaudier-Brzeska
Standing Female Figure, Henri Gaudier-Brzeska, 1891-1915, French, between 1910 and 1915, Brushed black ink, brown wash and graphite on medium, slightly textured, cream wove paper

Background imageCream Wove Paper Collection: Human Figure Lateral View Finished Study Unpublished Table

Human Figure Lateral View Finished Study Unpublished Table
Human Figure, Lateral View (Finished study for an unpublished table, representing the last stage in the dissection), George Stubbs, 1724-1806, British, between 1795 and 1806

Background imageCream Wove Paper Collection: Elephant Rider James Sowerby 1756-1822 British

Elephant Rider James Sowerby 1756-1822 British
Elephant with Rider, James Sowerby, 1756-1822, British, undated, Watercolor, gouache, and graphite on moderately thick, moderately textured, cream wove paper

Background imageCream Wove Paper Collection: First Book Urizen Plate 22 Bentley 24 Print William Blake

First Book Urizen Plate 22 Bentley 24 Print William Blake
The First Book of Urizen, Plate 22 (Bentley 24), Print made by William Blake, 1757-1827, British, 1794, Color-printed relief etching in orange-brown with watercolor on moderately thick

Background imageCream Wove Paper Collection: Songs Innocence Experience Plate 39 London Bentley 46

Songs Innocence Experience Plate 39 London Bentley 46
Songs of Innocence and of Experience, Plate 39, London (Bentley 46), Print made by William Blake, 1757-1827, British, 1794, Color-printed relief etching with watercolor on moderately thick

Background imageCream Wove Paper Collection: Visions Daughters Albion Plate 1 Frontispiece

Visions Daughters Albion Plate 1 Frontispiece
Visions of the Daughters of Albion, Plate 1, Frontispiece, William Blake, 1757-1827, British, 1793, Relief etching printed in green with pen and black ink and watercolor on moderately thick

Background imageCream Wove Paper Collection: Young Roscius Print J B. 1804 Hand-colored Etching

Young Roscius Print J B. 1804 Hand-colored Etching
The Young Roscius, Print made by unknown artist, ( J. B)

Background imageCream Wove Paper Collection: First Book Urizen Plate 7 Stars Apart Earth Bentley 6

First Book Urizen Plate 7 Stars Apart Earth Bentley 6
The First Book of Urizen, Plate 7, As the stars are apart from the earth

Background imageCream Wove Paper Collection: Parrot James De Carle Sowerby 1787-1871 British

Parrot James De Carle Sowerby 1787-1871 British
A Parrot, James de Carle Sowerby, 1787-1871, British, undated, Watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 9 7 1/4 inches (22.9 18.4 cm), animal art, parrot

Background imageCream Wove Paper Collection: Cockatoo James De Carle Sowerby 1787-1871 British

Cockatoo James De Carle Sowerby 1787-1871 British
A Cockatoo, James de Carle Sowerby, 1787-1871, British, undated, Watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 8 1/4 7 1/8 inches (21 18.1 cm), animal art, branch


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