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Sheet Collection

Background imageSheet Collection: Genets Joseph Wolf 1820-1899 German Watercolor

Genets Joseph Wolf 1820-1899 German Watercolor
Genets, Joseph Wolf, 1820-1899, German, undated, Watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 3 5/8 4 5/8 inches (9.2 11.7 cm), animal art

Background imageSheet Collection: Woman with tattoo wrapped in sheet drinking coffee

Woman with tattoo wrapped in sheet drinking coffee

Background imageSheet Collection: Malcolm Fleming of Barochan 1745-1811

Malcolm Fleming of Barochan 1745-1811. Hawking..., Charles Turner, 1774-1857, British, after James Howe, 1780-1836, British, 1834, Engraving, mixed method, Sheet: 21 7/8 x 24 5/8in. (55.6 x 62.5cm)

Background imageSheet Collection: Shakespeare and His Friends at the Mermaid Tavern

Shakespeare and His Friends at the Mermaid Tavern, Print made by James Faed Sr

Background imageSheet Collection: Study Plunging Eagle James Ward 1769-1859 British

Study Plunging Eagle James Ward 1769-1859 British
Study of a Plunging Eagle, James Ward, 1769-1859, British, undated, Varnish over graphite and watercolor on medium, slightly textured, beige wove paper

Background imageSheet Collection: Harrier William Webb Ca 1780-1845 British Graphite

Harrier William Webb Ca 1780-1845 British Graphite
A Harrier, William Webb, ca

Background imageSheet Collection: Abyssinian Parrakeet Plate 39 Edward Lear 1812-1888

Abyssinian Parrakeet Plate 39 Edward Lear 1812-1888
Abyssinian Parrakeet (Plate 39), Edward Lear, 1812-1888, British, 1832, Hand-colored lithograph printed in black on heavy wove paper, Sheet: 11 x 11in. (27.9 x 27.9cm)

Background imageSheet Collection: Patagonian Parakeet Macaw Nineteenth Century

Patagonian Parakeet Macaw Nineteenth Century
Patagonian Parakeet Macaw, unknown artist, nineteenth century, after Edward Lear, 1812-1888, British, 1832, Watercolor and pen and black ink on beige board, Sheet: 18 14 inches (45.7 35.6 cm)

Background imageSheet Collection: Rolls Chapel Samuel Ireland Active 1760-died 1800

Rolls Chapel Samuel Ireland Active 1760-died 1800
Rolls Chapel, Samuel Ireland, active 1760-died 1800, British, 1800, Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper

Background imageSheet Collection: Plyctophus Sulphureus Lesser Sulphur-crested Cockatoo

Plyctophus Sulphureus Lesser Sulphur-crested Cockatoo
Plyctophus Sulphureus / Lesser Sulphur-crested Cockatoo (Plate 4), Edward Lear, 1812-1888, British, 1832, Lithograph printed in black ink (proof), hand-colored on wove paper

Background imageSheet Collection: New Inn Samuel Ireland Active 1760-died 1800

New Inn Samuel Ireland Active 1760-died 1800
New Inn, Samuel Ireland, active 1760-died 1800, British, between 1794 and 1800, Watercolor, graphite, and pen and black ink on medium, slightly textured, cream wove paper

Background imageSheet Collection: Garden Front Stationer's Hall Samuel Ireland

Garden Front Stationer's Hall Samuel Ireland
Garden Front of Stationer's Hall, Samuel Ireland, active 1760-died 1800, British, between 1794 and 1800, Watercolor, graphite, and pen and black ink on medium, slightly textured

Background imageSheet Collection: Views Montreal Louisburg View North America Light House

Views Montreal Louisburg View North America Light House
Views of Montreal and Louisburg: A View of Louisburg in North America taken near the Light House when that city was beseiged in 1758, Pierre Charles Canot, ca

Background imageSheet Collection: Dead Teal Samuel Howitt 1756-1822 British Watercolor

Dead Teal Samuel Howitt 1756-1822 British Watercolor
Dead Teal, Samuel Howitt, 1756-1822, British, undated, Watercolor, with pen, in gray ink, black ink, brown ink, and graphite on moderately thick, slightly textured, cream, wove paper

Background imageSheet Collection: Foxhunting Melton Mowbray 1835 Cream Thing Edward Hull

Foxhunting Melton Mowbray 1835 Cream Thing Edward Hull
Foxhunting at Melton Mowbray, 1835: The Cream of the Thing, Edward Hull, 1810-1877, ca

Background imageSheet Collection: Study Oak Leaf John Ruskin 1819-1900 British

Study Oak Leaf John Ruskin 1819-1900 British
Study of an Oak Leaf, John Ruskin, 1819-1900, British, undated, Pen and brown ink with watercolor over graphite heightened with gouache and gum; verso: graphite on medium, smooth, white wove paper

Background imageSheet Collection: Four Hooded Falcons Attributed John Frederick Tayler

Four Hooded Falcons Attributed John Frederick Tayler
Four Hooded Falcons, Attributed to John Frederick Tayler, 1802-1889, British, undated, Watercolor and graphite on moderately thick, slightly textured, cream, wove paper, mounted on, moderately thick

Background imageSheet Collection: Macrocerus Ararauna Blue Yellow Maccaw 2 3 Nat

Macrocerus Ararauna Blue Yellow Maccaw 2 3 Nat
Macrocerus Ararauna / Blue and Yellow Maccaw / 2/3 Nat. size (Plate 8), Edward Lear, 1812-1888, British, 1832, Lithograph printed in black ink (proof), Sheet: 22 x 15in. (55.9 x 38.1cm)

Background imageSheet Collection: Tusked Walruses James Sowerby 1756-1822 British

Tusked Walruses James Sowerby 1756-1822 British
Tusked Walruses, James Sowerby, 1756-1822, British, undated, Gouache and graphite on medium, smooth, greenish-yellow, vellum paper, Sheet: 7 13/16 5 15/16 inches (19.8 15.1 cm), animal art, snow

Background imageSheet Collection: Platycercus Brownii Brown's Parrakeet Edward Lear

Platycercus Brownii Brown's Parrakeet Edward Lear
Platycercus Brownii / Brown's Parrakeet, Edward Lear, 1812-1888, British, 1832, Hand-colored lithograph printed in black ink on heavy wove paper, Sheet: 20 1/4 x 13 3/8in. (51.4 x 34cm)

Background imageSheet Collection: Scarlet Ibis Sarah Stone Active 1786 British

Scarlet Ibis Sarah Stone Active 1786 British
A Scarlet Ibis, Sarah Stone, active 1786, British, ca. 1786, Watercolor heightened with white, Sheet: 14 1/2 x 10 3/8in. (36.8 x 26.4cm), animal art, beak, bird, scarlet

Background imageSheet Collection: Cheeta Hunting Tiger Belonging Durjun Saul Brought

Cheeta Hunting Tiger Belonging Durjun Saul Brought
Cheeta, or Hunting Tiger, Belonging to Durjun Saul, Brought by Lord Combermere to Barrackpore, after the Fall of Bhurtpore, March 1826, unknown artist, (Indian Company, Agra School), 1826

Background imageSheet Collection: Pale-headed Parakeet Nineteenth Century Edward Lear

Pale-headed Parakeet Nineteenth Century Edward Lear
Pale-headed Parakeet, unknown artist, nineteenth century, after Edward Lear, 1812-1888, British, 1832, Watercolor, pen and black ink and graphite on beige board, Sheet: 18 14 inches (45.7 35.6 cm)

Background imageSheet Collection: Landscape Ceylon Barking Deer Fawn Pair Paradise Fly-Catchers

Landscape Ceylon Barking Deer Fawn Pair Paradise Fly-Catchers
A Landscape in Ceylon, With Barking Deer and Fawn and a Pair of Paradise Fly-Catchers, Samuel Daniell, 1775-1811, British, between 1808 and 1811, Watercolor, over graphite

Background imageSheet Collection: Lorius Domicella Black-capped Lorry Plate 37

Lorius Domicella Black-capped Lorry Plate 37
Lorius Domicella / Black-capped Lorry (Plate 37), Edward Lear, 1812-1888, British, 1832, Hand-colored lithograph printed in black on heavy wove paper, Sheet: 20 1/2 x 13in. (52.1 x 33cm)

Background imageSheet Collection: Indian Elephant Lucknow September 1 1789 William Daniell

Indian Elephant Lucknow September 1 1789 William Daniell
An Indian Elephant at Lucknow, September 1, 1789, William Daniell, 1769-1837, British, 1789, Pen, in gray ink, gray wash and graphite on medium, slightly textured, cream, laid paper

Background imageSheet Collection: Zebra Samuel Howitt 1756-1822 British Ca 1807

Zebra Samuel Howitt 1756-1822 British Ca 1807
A Zebra, Samuel Howitt, 1756-1822, British, ca

Background imageSheet Collection: Tigress Leaping Right Samuel Howitt 1756-1822

Tigress Leaping Right Samuel Howitt 1756-1822
A Tigress Leaping to the Right, Samuel Howitt, 1756-1822, British, ca

Background imageSheet Collection: Rhinoceros Peshwa's Menagerie Poona Gangaram Chintaman Tambat

Rhinoceros Peshwa's Menagerie Poona Gangaram Chintaman Tambat
A Rhinoceros in the Peshwa's Menagerie at Poona, Gangaram Chintaman Tambat, active 1790s, Anglo-Indian, 1790, Pen and black ink, brown ink, gray wash, gouache, and graphite on medium

Background imageSheet Collection: Tiger Full-Length Profile Walking Towards Right

Tiger Full-Length Profile Walking Towards Right
A Tiger, Full-Length, in Profile, Walking Towards Right, Thomas Stothard, 1755-1834, British, undated, Watercolor, with pen, in gray ink, and black ink, over graphite on moderately thick

Background imageSheet Collection: Dwarf Parakeet Macaw Nineteenth Century Edward Lear

Dwarf Parakeet Macaw Nineteenth Century Edward Lear
Dwarf Parakeet Macaw, unknown artist, nineteenth century, after Edward Lear, 1812-1888, British, 1832, Watercolor and pen and black ink on beige board, Sheet: 18 14 inches (45.7 35.6 cm), animal art

Background imageSheet Collection: Greater Sulphur Crested Cockatoo Nineteenth Century

Greater Sulphur Crested Cockatoo Nineteenth Century
Greater Sulphur Crested Cockatoo, unknown artist, nineteenth century, after Edward Lear, 1812-1888, British, ca

Background imageSheet Collection: Bridge Alnwick Castle Northumberland William Beilby

Bridge Alnwick Castle Northumberland William Beilby
Bridge at Alnwick Castle, Northumberland, William Beilby, 1740-1819, British, undated, Watercolor on slightly textured, medium, beige laid paper, Sheet: 8 1/8 10 3/4 inches (20.6 27.3 cm), animals

Background imageSheet Collection: Collared Parrakeet Plate 40 Edward Lear 1812-1888

Collared Parrakeet Plate 40 Edward Lear 1812-1888
Collared Parrakeet (Plate 40), Edward Lear, 1812-1888, British, 1832, Hand-colored lithograph printed in black, plate trimmed, Sheet: 16 x 11 1/2in. (40.6 x 29.2cm)

Background imageSheet Collection: Brown's Parakeet Edward Lear 1812-1888 British

Brown's Parakeet Edward Lear 1812-1888 British
Brown's Parakeet, after Edward Lear, 1812-1888, British, unknown artist, 19th c. 1832, Watercolor, pen and black ink and graphite on beige board, Sheet: 15 12 inches (38.1 30.5 cm), animal art

Background imageSheet Collection: Red Yellow Macaw Nineteenth Century Edward Lear

Red Yellow Macaw Nineteenth Century Edward Lear
Red and Yellow Macaw, unknown artist, nineteenth century, after Edward Lear, 1812-1888, British, 1832, Watercolor and pen and black ink on beige board, Sheet: 22 16 inches (55.9 40.6 cm), animal art

Background imageSheet Collection: Warkworth Castle Northumberland William Beilby

Warkworth Castle Northumberland William Beilby
Warkworth Castle, Northumberland, William Beilby, 1740-1819, British, undated, Watercolor on slightly textured, medium, beige laid paper, Sheet: 8 3/16 10 3/4 inches (20.8 27.3 cm), animals

Background imageSheet Collection: Lincoln's Inn Gate Samuel Ireland Active 1760-died 1800

Lincoln's Inn Gate Samuel Ireland Active 1760-died 1800
Lincoln's Inn Gate, Samuel Ireland, active 1760-died 1800, British, 1800, Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper

Background imageSheet Collection: Johann Sebastian Bach

Johann Sebastian Bach Elias Gottlob Haussman (1695-1744)

Background imageSheet Collection: Rehearsal of Pasdeloupe Orchestra by Sargent

Rehearsal of Pasdeloupe Orchestra by Sargent
Rehearsal of the Pasdeloupe Orchestra John Singer Sargent 1856-1925 American

Background imageSheet Collection: Musicians and Dancers by Peter Sickles

Musicians and Dancers by Peter Sickles
Musicians and Dancers Peter Sickles (20th C. American)

Background imageSheet Collection: Unidentified House Giles Hudson Putney Surrey

Unidentified House Giles Hudson Putney Surrey
Unidentified House for Giles Hudson, Putney, Surrey: Section of the New Apartments, William Wickham, born ca.1750, British, undated, Pen and brown ink and watercolor on moderately textured

Background imageSheet Collection: Set Eight 4 Cries London Thomas Rowlandson 1756-1827

Set Eight 4 Cries London Thomas Rowlandson 1756-1827
Set of eight (4): Cries of London, Thomas Rowlandson, 1756-1827, British, 1799, Etching with aquatint, colored by hand, Sheet: 14 1/2 x 11 3/4in. (36.8 x 29.8cm)

Background imageSheet Collection: Mary Joshua Collings Master Entering Harbour

Mary Joshua Collings Master Entering Harbour
The Mary, Joshua Collings, Master, Entering the Harbour of La Valletta, in the Island of Malta, Dec. 5, 1835, Edward Duncan, 1803-1882, British, 1835, Colored aquatint, Sheet: 16 1/4 x 21 1/4in

Background imageSheet Collection: Swiss Costumes Bradshaw & Blacklock Active Ca.1850

Swiss Costumes Bradshaw & Blacklock Active Ca.1850
Swiss Costumes, Bradshaw & Blacklock, active ca.1850, British, after 1850, Etching and stipple engraving, with color woodcut on cream card mounted in beige card

Background imageSheet Collection: Damnation Obadiah Print Henry William Bunbury

Damnation Obadiah Print Henry William Bunbury
The Damnation of Obadiah, Print made by Henry William Bunbury, 1750-1811, British, between 1773 and 1817, Hand-colored etching on moderately thick, slightly textured, cream wove paper

Background imageSheet Collection: Queen Victoria George Baxter 1804-1867 British

Queen Victoria George Baxter 1804-1867 British
Queen Victoria, after George Baxter, 1804-1867, British, Print made by Bradshaw & Blacklock, active ca.1850, British, Published by Bradshaw & Blacklock, active ca.1850, British, ca

Background imageSheet Collection: Plains Viscacha Charles Hamilton Smith 1776-1859

Plains Viscacha Charles Hamilton Smith 1776-1859
Plains Viscacha, Charles Hamilton Smith, 1776-1859, Belgian, James Stewart, , 1791-1863, British, ca

Background imageSheet Collection: Gentleman Chair W Hake 1866 Watercolor Thick

Gentleman Chair W Hake 1866 Watercolor Thick
Gentleman in a Chair, unknown artist, (W)

Background imageSheet Collection: Greater Grison Charles Hamilton Smith 1776-1859

Greater Grison Charles Hamilton Smith 1776-1859
The Greater Grison, Charles Hamilton Smith, 1776-1859, Belgian, ca

Background imageSheet Collection: Crabodage Surinam Aguara Dog Charles Hamilton Smith

Crabodage Surinam Aguara Dog Charles Hamilton Smith
The Crabodage, or Surinam Aguara Dog, Charles Hamilton Smith, 1776-1859, Belgian, ca

Background imageSheet Collection: Wooginoos Bruces Antidysenterica James Heath

Wooginoos Bruces Antidysenterica James Heath
Wooginoos or Bruces Antidysenterica, James Heath, 1757-1834, British, after James Bruce, 1730-1794, British, after Luigi Balugani, 1737-1770, Italian, 1789, Hand colored engraving

Background imageSheet Collection: First Book Urizen Plate 2 Preludium Book Bentley 2a

First Book Urizen Plate 2 Preludium Book Bentley 2a
The First Book of Urizen, Plate 2, Preludium to the Book of Urizen (Bentley 2a), Print made by William Blake, 1757-1827, British, 1794

Background imageSheet Collection: Charterhouse Square Eighteenth Century Hand Colored Engraving

Charterhouse Square Eighteenth Century Hand Colored Engraving
Charterhouse Square, unknown artist, eighteenth century, after unknown artist, undated, Hand colored engraving, Sheet: 7 1/8 x 9 1/2in. (18.1 x 24.1cm)

Background imageSheet Collection: Plains Viscacha Charles Hamilton Smith 1776-1859

Plains Viscacha Charles Hamilton Smith 1776-1859
Plains Viscacha, Charles Hamilton Smith, 1776-1859, Belgian, ca

Background imageSheet Collection: Udaipur 1916 Print Charles W Bartlett 1860-1940

Udaipur 1916 Print Charles W Bartlett 1860-1940
Udaipur, 1916, Print made by Charles W

Background imageSheet Collection: Southampton Bloomsbury Square Sutton Nicholls

Southampton Bloomsbury Square Sutton Nicholls
Southampton or Bloomsbury Square, Sutton Nicholls, active 1725, British, after Sutton Nicholls, active 1725, British, 1754, Hand colored engraving on slightly textured, medium, white wove paper

Background imageSheet Collection: Castle Fraser Aberdeenshire Scotland West Elevation

Castle Fraser Aberdeenshire Scotland West Elevation
Castle Fraser, Aberdeenshire, Scotland: West Elevation, William Wilkins, 1778-1839, British, 1819, Graphite, pen and black and brown ink, watercolor on slightly textured, moderately thick

Background imageSheet Collection: Pied Wagtail Dragonfly George Edwards 1694-1773

Pied Wagtail Dragonfly George Edwards 1694-1773
Pied Wagtail and Dragonfly, George Edwards, 1694-1773, British, undated, Watercolor, gouache, and graphite on moderately thick, slightly textured, cream laid paper

Background imageSheet Collection: Guinea Parrot George Edwards 1694-1773 British

Guinea Parrot George Edwards 1694-1773 British
Guinea Parrot, George Edwards, 1694-1773, British, 1736, Watercolor, gouache, and graphite on moderately thick, slightly textured, cream laid paper, Sheet: 10 3/4 8 3/4 inches (27.3 22.2 cm)

Background imageSheet Collection: Stone Curlew George Edwards 1694-1773 British

Stone Curlew George Edwards 1694-1773 British
A Stone Curlew, George Edwards, 1694-1773, British, ca

Background imageSheet Collection: Hercules Beetle George Edwards 1694-1773 British

Hercules Beetle George Edwards 1694-1773 British
Hercules Beetle, George Edwards, 1694-1773, British, ca

Background imageSheet Collection: Atlas Moth George Edwards 1694-1773 British

Atlas Moth George Edwards 1694-1773 British
Atlas Moth, George Edwards, 1694-1773, British, ca

Background imageSheet Collection: Design Gothic Chapel Studio Sir Jeffry Wyatville

Design Gothic Chapel Studio Sir Jeffry Wyatville
Design for a Gothic Chapel, Studio of Sir Jeffry Wyatville, 1766-1840, British, undated, Graphite, pen and black ink, watercolor on slightly textured, moderately thick, cream wove paper

Background imageSheet Collection: Roses Hercules Brabazon Brabazon 1821-1906

Roses Hercules Brabazon Brabazon 1821-1906
Roses, Hercules Brabazon Brabazon, 1821-1906, British, undated, Watercolor and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 7 7/8 x 6 1/4 inches (20 x 15.8 cm)

Background imageSheet Collection: Reclining Female Nude William Edward Frost 1810-1877

Reclining Female Nude William Edward Frost 1810-1877
Reclining Female Nude, William Edward Frost, 1810-1877, British, after 1845, Watercolor with reed pen and brown ink on medium, slightly textured, beige wove paper

Background imageSheet Collection: Port Moored Steamship Hercules Brabazon Brabazon

Port Moored Steamship Hercules Brabazon Brabazon
Port with Moored Steamship, Hercules Brabazon Brabazon, 1821-1906, British, undated, Pastel and graphite on medium, slightly textured, cream wove paper mounted on card

Background imageSheet Collection: Racing Rosette. Property Henry Peirse Esq. William Ward

Racing Rosette. Property Henry Peirse Esq. William Ward
Racing: Rosette. The Property of Henry Peirse Esq. William Ward, 1766-1826, British, after Robert, Frankland, baronet, 1784-1849, British, 1811, Mezzotint, printed in color, Sheet: 18 1/2 x 22 7/8in

Background imageSheet Collection: America. Prophecy Plate 2 Title Page Print William Blake

America. Prophecy Plate 2 Title Page Print William Blake
America. A Prophecy, Plate 2, Title Page, Print made by William Blake, 1757-1827, British, 1793, Color-printed relief etching in blue with pen and black ink and watercolor on moderately thick

Background imageSheet Collection: Ocean Seal Lepechin James Stewart 1791-1863

Ocean Seal Lepechin James Stewart 1791-1863
The Ocean Seal of Lepechin, James Stewart, 1791-1863, British, ca. 1837, Watercolor and graphite on thick, slightly textured, cream, wove paper, Sheet: 5 3/8 8 1/16 inches (13.7 20.5 cm)

Background imageSheet Collection: Sensibility Print Richard Earlom 1743-1822

Sensibility Print Richard Earlom 1743-1822
Sensibility, Print made by Richard Earlom, 1743-1822, British, after George Romney, 1734-1802, British, 1789

Background imageSheet Collection: Richmond Hill Bridge W R Smith Active 1819-1851

Richmond Hill Bridge W R Smith Active 1819-1851
Richmond Hill and Bridge, W. R

Background imageSheet Collection: Elephant Seal James Stewart 1791-1863 British

Elephant Seal James Stewart 1791-1863 British
The Elephant Seal, James Stewart, 1791-1863, British, ca. 1837, Watercolor and graphite on thick, smooth, cream, wove paper, Sheet: 5 3/8 8 3/16 inches (13.7 20.8 cm)

Background imageSheet Collection: Essex East Indiaman Morning Storm Signal Distress

Essex East Indiaman Morning Storm Signal Distress
The Essex East Indiaman in the Morning after the Storm with Her Signal of Distress to a Ship in Sight, Francis Jukes, 1747-1812, British, after Thomas Luny, 1759-1837, British, 1785

Background imageSheet Collection: Launch La Sorciére Lake Geneva Francis Danby

Launch La Sorciére Lake Geneva Francis Danby
The Launch of La Sorcire on the Lake of Geneva, Francis Danby, 1793-1861, Irish, undated, Watercolor and brown ink over graphite on moderately thick, slightly textured, blued white wove paper

Background imageSheet Collection: Ringed Seal James Stewart 1791-1863 British

Ringed Seal James Stewart 1791-1863 British
The Ringed Seal, James Stewart, 1791-1863, British, ca. 1837, Watercolor, pen and brown ink, black ink and graphite on thick, smooth, cream, wove paper, Sheet: 4 15/16 7 7/8 inches (12.5 20 cm)

Background imageSheet Collection: Crumbs Comfort Old-Orthodox Restoring Consolation

Crumbs Comfort Old-Orthodox Restoring Consolation
Crumbs of Comfort, - or - Old-Orthodox Restoring Consolation to His Fallen Children, James Gillray, 1757-1815, British, 1782, Etching, hand-colored, Sheet: 8 3/4 x 12 5/8in. (22.2 x 32.1cm)

Background imageSheet Collection: Sea Otter Charles Hamilton Smith 1776-1859

Sea Otter Charles Hamilton Smith 1776-1859
The Sea Otter, Charles Hamilton Smith, 1776-1859, Belgian, ca

Background imageSheet Collection: Songs Innocence Plate 2 Title Page Bentley 3

Songs Innocence Plate 2 Title Page Bentley 3
Songs of Innocence, Plate 2, Title Page (Bentley 3), Print made by William Blake, 1757-1827, British, 1789, Relief etching printed in brown with watercolor on moderately thick, slightly textured

Background imageSheet Collection: Mountain Landscape Lake Joseph Mallord William Turner

Mountain Landscape Lake Joseph Mallord William Turner
Mountain Landscape with Lake, Joseph Mallord William Turner, 1775-1851, British, ca

Background imageSheet Collection: Poems Thomas Gray Design 93 Ode Music William Blake

Poems Thomas Gray Design 93 Ode Music William Blake
The Poems of Thomas Gray, Design 93, Ode for Music

Background imageSheet Collection: Views Levant Camel Willey Reveley 1760-1799

Views Levant Camel Willey Reveley 1760-1799
Views in the Levant: A Camel, Willey Reveley, (), 1760-1799, British, ca

Background imageSheet Collection: South American Sea Lion James Stewart 1791-1863

South American Sea Lion James Stewart 1791-1863
South American Sea Lion, James Stewart, 1791-1863, British, ca. 1837, Watercolor, graphite, pen and brown ink on thick, slightly textured, cream, wove paper, Sheet: 5 1/2 8 1/4 inches (14 21 cm)

Background imageSheet Collection: Leopard Seal James Stewart 1791-1863 British

Leopard Seal James Stewart 1791-1863 British
The Leopard Seal, James Stewart, 1791-1863, British, ca. 1837, Watercolor, graphite, pen and brown ink on thick, smooth, cream, wove paper, Sheet: 5 1/16 8 inches (12.9 20.3 cm)



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