Dead Teal Samuel Howitt 1756-1822 British Watercolor
Dead Teal, Samuel Howitt, 1756-1822, British, undated, Watercolor, with pen, in gray ink, black ink, brown ink, and graphite on moderately thick, slightly textured, cream, wove paper
Four Hooded Falcons Attributed John Frederick Tayler
Four Hooded Falcons, Attributed to John Frederick Tayler, 1802-1889, British, undated, Watercolor and graphite on moderately thick, slightly textured, cream, wove paper, mounted on, moderately thick
Indian Elephant Lucknow September 1 1789 William Daniell
An Indian Elephant at Lucknow, September 1, 1789, William Daniell, 1769-1837, British, 1789, Pen, in gray ink, gray wash and graphite on medium, slightly textured, cream, laid paper
Tiger Full-Length Profile Walking Towards Right
A Tiger, Full-Length, in Profile, Walking Towards Right, Thomas Stothard, 1755-1834, British, undated, Watercolor, with pen, in gray ink, and black ink, over graphite on moderately thick
Bridge Alnwick Castle Northumberland William Beilby
Bridge at Alnwick Castle, Northumberland, William Beilby, 1740-1819, British, undated, Watercolor on slightly textured, medium, beige laid paper, Sheet: 8 1/8 10 3/4 inches (20.6 27.3 cm), animals
Warkworth Castle Northumberland William Beilby
Warkworth Castle, Northumberland, William Beilby, 1740-1819, British, undated, Watercolor on slightly textured, medium, beige laid paper, Sheet: 8 3/16 10 3/4 inches (20.8 27.3 cm), animals
Southampton Bloomsbury Square Sutton Nicholls
Southampton or Bloomsbury Square, Sutton Nicholls, active 1725, British, after Sutton Nicholls, active 1725, British, 1754, Hand colored engraving on slightly textured, medium, white wove paper
Castle Fraser Aberdeenshire Scotland West Elevation
Castle Fraser, Aberdeenshire, Scotland: West Elevation, William Wilkins, 1778-1839, British, 1819, Graphite, pen and black and brown ink, watercolor on slightly textured, moderately thick
Guinea Parrot George Edwards 1694-1773 British
Guinea Parrot, George Edwards, 1694-1773, British, 1736, Watercolor, gouache, and graphite on moderately thick, slightly textured, cream laid paper, Sheet: 10 3/4 8 3/4 inches (27.3 22.2 cm)
South American Sea Lion James Stewart 1791-1863
South American Sea Lion, James Stewart, 1791-1863, British, ca. 1837, Watercolor, graphite, pen and brown ink on thick, slightly textured, cream, wove paper, Sheet: 5 1/2 8 1/4 inches (14 21 cm)
St Malo France Alfred Herbert 1820-1861 British
St. Malo, France, Alfred Herbert, 1820-1861, British, undated, Watercolor, graphite, and gouache on moderately thick, slightly textured, beige, wove paper, mounted on, moderately thick
Parrot James De Carle Sowerby 1787-1871 British
A Parrot, James de Carle Sowerby, 1787-1871, British, undated, Watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 9 7 1/4 inches (22.9 18.4 cm), animal art, branch, parrot
Hermitage Castle Print Robert Wallis 1794-1878
Hermitage Castle, Print made by Robert Wallis, 1794-1878, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Line engraving on medium, slightly textured, cream wove paper
Goose James Sowerby 1756-1822 British Watercolor
A Goose, James Sowerby, 1756-1822, British, undated, Watercolor and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 9 1/2 11 3/4 inches (24.1 29.8 cm), animal art, goose
Mimosa Pigra L. Finished Drawing Luigi Balugani
Mimosa pigra (L.): finished drawing, Luigi Balugani, 1737-1770, Italian, Formerly James Bruce, 1730-1794, British, undated, Watercolor, gouache, and graphite on medium, slightly textured
Lion Thomas William Wood 1855-1872 British
A Lion, Thomas William Wood, 1855-1872, British, undated, Watercolor, graphite, and gouache on medium, slightly textured, cream wove paper, Sheet: 9 7/8 13 3/4 inches (25.1 34.9 cm), animal art
Shipping Choppy Sea Follower William Owen 1769-1825
Shipping in a Choppy Sea, Follower of William Owen, 1769-1825, British, Formerly attributed to William Joy, 1803-1867, British, Formerly attributed to John Cantiloe Joy, 1806-1859, British, undated
Study Pilgrim Attributed Samuel Palmer 1805-1881
Study of a Pilgrim, attributed to Samuel Palmer, 1805-1881, British, active in Italy (1837-39), undated, Watercolor, brown wash, white gouache, gold, black chalk, and graphite on slightly textured